Since 2019, the historic artifacts and archives at the museum have undergone professional organization and digitization. Focused on the 228 Incident in 1947, an archive database was created containing artifacts spanning seven decades. In the
vast and precious collection, each artifact and historic document is worthy of close examination.
The “Taipei 228 Memorial Museum Historic Artifacts Query System” will formally launch on February 28, 2022. which allow visitors to examine artifacts up close, become familiar with the functions and applications of the query system, and etch the lessons of the 228 Incident into the memories of visitors. The goal is to elevate public participation while providing a new research direction on the history of Taiwan for scholars.

Taipei 228 Memorial Museum

UNBOXING! Taipei 228 Memorial Museum Digitization of Historical Artifacts

2019年以來，台北二二八紀念館耗費諸多心力將歷年典藏文物和檔案史料，經過專業整飭並加以數位化後，為促進館藏史料活用，建置以1947年的二二八事件為根基，橫跨超過70年的文物檔案資料庫，內容珍貴且豐富，每一件文物史料，都值得細細探究。
「台北二二八紀念館典藏文物查詢系統」於2022年2月28日正式公開，希望讓民眾能近距離探索典藏文物，熟悉查詢系統的功能及應用，讓二二八事件的歷史記憶更加深刻，公民參與程度提升，也為臺灣史研究者提供一條新的方向。

台北二二八紀念館

UNBOXING! 台北二二八紀念館典藏文物數位化特展

The Kaohsiung Museum of History, as a significant historical landmark in Kaohsiung, is to become an important portal for people to know more about this city.
This permanent exhibition offers an excellent opportunity for Kaohsiung locals to understand their home, and, at the same time, visitors from other parts of Taiwan and international tourists can witness the efforts over the past century that have gone into building the city that Kaohsiung is today.
They can also see the many different facts and scenes from the area as well as other topics of interest, such as how the river, harbor, and railway transformed Kaohsiung from a tranquil fishing village into a vibrant international port over the centuries.

Kaohsiung Museum of History

《The History of Kaohsiung》

作為高雄重要歷史地標的高雄市立歷史博物館，將化身為民眾認識高雄的重要入口站，透過常態性展示，為在地高雄居民提供重新認識故鄉的契機，同時帶領外縣市觀光客、海外的國際友人，看見百年來高雄人的勞動身影以及城市、鄉村地景的變遷，並以河、港、鐵路網絡為子題勾勒出高雄從漁村到國際商港的百年城市脈動。

高雄市立歷史博物館

《大高雄歷史常設展》

Yilan County Lanyang Museum is a cultural window to understand Yilan. With a concept that “Yilan itself is a museum”, Lanyang Museum has advocated Yilan is the place where "Suitable for Learning, Living, and Traveling", and combined with local museums as “Yilan Museum family” to jointly build Yilan into a sustainable eco-museum.
Since 2013, Lanyang Museum inniciated an outreach education programme the "Museum to Campus," desgining for students who are unable to go to the museum, or whose schools in remote villages.  Together with the Yilan Museum family, we have brought the museum's resources and collections to these young learners. We hold over one hundred courses into schools every year, all are very popular and causing a surge in bookings. We hope that students can understand that the stories collected in the museums are not far away from them, and build a strong bond with the museums, choose museums as the learning friends for life.

Yilan County Lanyang Museum

Lanyang Museum－"Museum to Campus Programme"

蘭陽博物館是認識宜蘭的文化窗口， 以宜蘭是一座博物館為理念，近年來倡議「宜學」、「宜居」、「宜遊」，結合宜蘭博物館家族成員以共同打造宜蘭為永續的生態博物館為願景。
對於無法到博物館的學生，還有偏鄉的學校避免遺珠之憾，自2013年起設計有行動博物館「博物館入校園」專案，結合宜蘭博物館家族一起推動，主動把博物館的資源及典藏物件帶入校園作為延伸教學，每年上百場多樣的課程大受學校的歡迎。蘭陽博物館要讓學生明白，博物館裡收藏的故事，離他們並不遙遠，博物館入校園可以使更多學生認識博物館的內涵，並愛上博物館，成為獲取知識寶庫的首選。

宜蘭縣立蘭陽博物館

蘭陽博物館「博物館入校園計畫」

Among the Piunuyumayan, “babayan” refers to women.
This exhibition explicitly presents the millet-growing knowledge and cuisine recipes from the Puyuma Community in Taitung. The babayan get hold of Indigenous knowledge straight from the land and maintain their “Puyuma lifestyle” to value the ecological balance. Through the encouragement of participation and preservation of traditional knowledge and environmental sustainability, we would also like to embrace the concept of “slow economy” in order to promote the agenda of ethnic food culture and life experience, and reconnect our relationship with nature.

National Museum of Prehistory

BABAYAN LIFESTYLE, the Puyuma Women and Food Culture

芭芭秧 (babayan) 是卑南族語「女性」之意。
本展覽集合卑南族普悠瑪部落族人的傳統小米知識與部落專屬的美味料理食譜，傳承並展現卑南族文化之中的多元與精彩。芭芭秧掌握了「直接從土地長出來的知識」，以及重視生態平衡的「普悠瑪式生活哲學」，期望藉由展覽推動部落青年參與部落傳統知識保存、傳承及生態永續的行動，並推廣臺東「慢經濟」理念，深化民眾對於部落飲食、生活體驗等環境教育議題，重新鏈結人與環境的關係。

國立臺灣史前文化博物館

芭芭秧的普式生活—普悠瑪女性飲食文化特展

Art Education Rooted Project has its central focus on the aesthetic experiences of the collections from the Kaohsiung Museum of Fine Arts (KMFA). The project is attached to 4 sub-programs: Arts in Campus, Detective of Arts, Resident Artists in Schools, and Workshop for Interdisciplinary Talent Cultivation. And these programs are being promoted through exhibitions and online teaching materials. The programs aim to provide school teachers with a variety of materials for interdisciplinary curriculum development and instruction. It is also integrating with the KMFA collections and the regular school curriculum. At the same time, take this opportunity to invite artists into the schools to activate the observations and creativity of students about their surroundings. And it is also to cultivate and enhance the diverse aesthetic energy in the local region (emphasize in Kaohsiung City) for teachers, volunteers, and the public.

Kaohsiung Museum of Fine Arts

Art Education Rooted Project

「藝術教育扎根計畫」以高美館典藏為核心，美感體驗為主軸，透過展覽及線上教材為媒介，展開「校園推廣計畫」、「藝術偵探」、「藝術家入校」及「人才培力暨跨界工作坊」4項子計畫；提供學校老師多樣性的素材進行跨領域課程開發與教學，並以典藏結合校內正規課程；同時邀請藝術家入校，開啟學童的對於生活周遭的觀察力與創作力，培養及提升老師、志工與民眾更加多元的在地美學能量。

高雄市立美術館

藝術教育扎根計畫

National Human Rights Museum and 15 non-governmental organizations (NGOs) further transformed the discussion of "human rights and migration" into a joint curation. It looks into the fact that more than 700,000 migrant workers have become an indispensable labor force of Taiwan, the corresponding basic human rights issues such as religion, language, culture, daily life, and working conditions, however, have not been adequately secured with times.

This exhibition leads the audience to measure the distance between migrant workers and Taiwanese people’s daily lives. Migrant workers, Taiwanese people, and NGOs, there are three kinds of "sense of daily life" that interlinked and formed each other. We try to guide the audience to examine the various difficulties behind the legal system of migrant workers on the surface of "seemingly ordinary daily life." After introducing the objects and services migrant workers produce through product catalogs; we take the audience into the working environment to physically experience their working conditions. Furthermore, through the testimony and exhibits of the migrant workers, the audience can learn about the real needs and expectations of their life in Taiwan. This exhibition finally brings out how NGOs have been working for the human rights of migrant workers/ new residents by presenting the important events of the past 30 years of migrant workers in the memorabilia.

We hope that this special exhibition can act a public platform. We look forward to inviting the audience to notice the existence of migrant workers in their daily life, reflect on policies and systematic problems, and finally take action.

National Human Rights Museum

Ayo! Ayo! Tomorrow Must Be Better

國家人權博物館與15個非政府組織(NGOs)將對「移動人權」議題的討論進一步轉化為共同策展的行動，檢視七十餘萬在台移工，現在已成為不可或缺勞動力，相應而來的宗教、語言、文化、居住生活、勞動條件等基本人權課題，卻未能建立起足夠的保障體系，回應社會需求銜接時代變遷。

本展覽重新帶領觀眾丈量與移工處境的距離，帶入台人、移工和NGOs組織的「日常生活」。三種「日常感」彼此連動、互為形構，引領觀眾審視「看似平凡的日常生活」表層裡，隱含移工於合法制度背後的各種艱難問題。本展同時讓移工的身影從模糊轉為清晰，從一開始邀請觀眾透過產品型錄認識其生產之物件與服務；再踏入「勞動」現場，以個人的身體感知經驗理解移工處境；進而透過移工的證言與證物，傳達其在台灣生活的真實需求和期待。本展最終帶出NGOs團體如何實踐「移動人權」和共製「年表」等方式，呈現不同組織和移工之間的協力照顧關係，並呈現移工來台30年的重大事紀，引領觀眾閱讀之後，醞釀出「為明日社會而改變」的行動準備。

國家人權博物館

Ayo-Ayo!明天應該會更好—移動人權特展

Museums are versatile and tolerant. Integrating different knowledge systems into their practice to implement social justice and cultural equality are museums' contemporary challenges and missions. The island of Taiwan possesses abundant cultural landscapes and historical accumulations. Its versatile ethnic clashes and cultural impacts have left marks on this land. Through the process of collection, research, and exhibition of museums, human activities, events and remains have been re-located and re-defined, providing them with prominent positioning and empowerment. Through exhibition, practices and actions, Taiwan museums continue to input progressive energy to the freedom, equality and justice pursuing civil society.

#Purpose: Museums and Civil Society

博物館是多樣與包容的，將不同知識系統融入實踐，落實社會正義以及文化平權，是博物館的當代挑戰與使命。臺灣島擁有豐富的人文景觀與歷史積累，多元的族群衝突與文化衝擊在這片土地上留下刻痕。透過博物館典藏、研究與展示的過程中，人類活動、事件、遺址被重新賦予定位和意義，積極轉型和賦權。透過策展、實踐及行動，臺灣博物館群持續在追求自由、平等、正義的公民社會路途中注入前進的能量。

使命：社群與公眾之力

#Purpose: Museums and Civil Society